扬琴作为外来乐器,在明末清初时期传入中国并充分发展,尤其是在艺术实践中广泛吸取民间音乐精华,与民间音乐彼此融合,推动中国说唱音乐快速发展。本文针对扬琴音乐的现状进行分析,指出扬琴音乐在织体、音色、形式等方面有着发展空间,以期为扬琴音乐的创作提供有益参考。一、前言中国作为一个拥有悠久音乐文化历史的国家,数千年来,中华民族的劳动人民创造出多种多样的乐器。在此过程中还吸收了一系列外来乐器, As a foreign musical instrument, dulcimer dulcis was introduced to China and fully developed during the late Ming and early Qing dynasties. In particular, it drew on the essence of folk music in the practice of art and blended with folk music to promote the rapid development of rap music in China. This article analyzes the current situation of dulcimer music, and points out that dulcimer music has room for development in terms of texture, timbre and form, in order to provide a useful reference for the creation of dulcimer music. I. Introduction As a country with a long history of music and culture, the working people of the Chinese nation have created a wide range of musical instruments for thousands of years. In the process also absorbed a series of exotic instruments,