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杰克·瓦尔广告公司位于斯德哥尔摩的旧手表厂,手表厂是由本世纪初著名的建筑师拉格纳·欧斯特贝尔格设计的,该公司在准备搬入之前.委托鲁珀特·加德纳为他们作办公室的空间设计。 工作的起点是700平方米的使用面积,其中有六根柱子,需要容纳12名工作人员。要求通过设计来消减空间的荒芜感,保持整体性,创造开放的空间关系,同时又为客户咨询提供相对私密的场所。解决方法是用厚重的分隔墙处理而成为开放的流动空间,布局极其理性,利用一面对角线墙体,使空间获得动感并具私密性。 在开放的前提下为空间的围合使用提供可能性这一效果是通过多种途径取得的。原有的木地板覆盖了整个地面,强调出空间的连续和流动。需要设门的地方,就设在每间房的转角处,并且与墙体同高。这样,墙就可以被理解为独立的平面,可以随意布置在空间中,墙体因此便获得自由,实现了扩展的开放空间。与之对应,在细部处理时,将储藏柜沿外墙窗台一字排开,不予理会由内墙板所限定的空间范围,仅仅强调外立面上序列的连续。
Jack Wahl Advertising Company is an old watch factory in Stockholm. The watch factory was designed by the famous architect Ragna Ostrenberg at the beginning of the century. Before the company was ready to move in, it commissioned Rupert Gardner to They make space design for the office. The starting point of the work is 700 square meters of usable area, among which there are six pillars and it needs to accommodate 12 staff members. It is required to reduce the ridiculousness of space through design, maintain integrity, create open spatial relationships, and at the same time provide relatively private places for customer consultation. The solution is to use a thick partition wall as an open flow space. The layout is extremely rational. With a diagonal wall, the space is dynamic and private. The possibility of providing possibilities for the enclosing use of space under the premise of openness is achieved in a variety of ways. The original wooden floor covered the entire ground, emphasizing the continuity and flow of space. Wherever the door needs to be set, it is located at the corner of each room and is at the same height as the wall. In this way, the wall can be understood as an independent plane, which can be freely arranged in the space, and the wall is thus freed to realize an expanded open space. Corresponding to this, when the details are processed, the storage cabinets are lined up along the window sill, and the spatial scope defined by the interior wall panels is ignored, and only the sequence continuity on the exterior surface is emphasized.