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时至今日,我还没有养成居高临下的审视习惯,为了保持真实和生动,我常常边走边唱,将我的思考,我的忧虑,我的感悟,统统灌之于影像的每一个接缝。为了传说中少年给母亲缝制的那件衣裳,为了当下把这部属于母亲的故事讲好,我也开始走遍大江南北,在这过程中我被电影界的前辈们接纳,他们用自己的行动启发我的灵感,无论是富丽堂皇的古装大片,还是悲情豪壮的英雄故事,还是荒诞惊艳的现代故事,给我活生生地上了一堂堂片场的课。当这一切嘈杂停息之际,我的耳边再次回响着那个少年的故事。于是我重返故乡陕北,一头扎在村里一年没出来,于是就诞生了我的首部独立长篇纪录电影《佛陀墕》。这部纪录电影被评论界称为:这是一部陕北的清明上河图;……《佛陀墕》讲述了陕北腹地一个没有被现代消费文化吞没的山崖上的村庄佛陀墕的动人故事,让我们平心静气地倾听了一首黄土高原上没有杂质的农耕文化的挽歌和绝唱。
To this day, I have not yet developed a commanding habit of examining. In order to remain true and vivid, I often sing and sing my thoughts, my worries and my thoughts on every seams of images. In order to tell the story of the mother now, I also started to walk all over the country. In the process, I was accepted by the forerunners in the film industry and used their own actions Inspired by my inspiration, whether it is magnificent costumes, heroic or heroic heroic stories, or absurd amazing modern story, gave me a vivid and lively studio class. When all this noisy occasion, my ears echoed again that teenager’s story. So I returned to my hometown of northern Shaanxi, one in the village did not come out in a year, so I was born my first independent long-length record movie “Buddha 墕.” The record film was commented by the critics as: This is a northwestern Qingming River map; ... “Buddha” tells the story of a hinterland in northern Shaanxi is not engulfed in modern consumer culture on the cliffs of the village Buddha 墕 moving story, Let us calmly listen to the elegy and soliloquy of a farming culture without impurities on the Loess Plateau.