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关于吴琚的书法,后世关注最多的是其对米芾的传承,董其昌说他“书自米南宫外一步不窥”;陈绎曾在《翰林要诀》中提到,即使是吴琚摹刻的《玉麟堂帖》都“多杂米家笔仗”。吴琚之于米字的乱真程度甚至影响到了鉴藏的真伪判断,张丑《清河书画舫》云:“晋陵吴琚书宗米礼部,几于夺真,今北固‘天下第一江山’题榜,是其迹也,所著有《云壑集》,今世有米体书用云壑印者,皆吴手笔,鉴家不可不知耳。”不同于一般的士人,吴琚学米字有着得天独厚的条件,贵为皇戚的身份使他有机会见到
On the calligraphy Wu Mi, the most concerned about the future generations of its inheritance of Mi, Dong Qichang said he “book from the Mi Nan Gong step outside does not glimpse”; Chen Yi was in the “Hanlin Tips” mentioned, even if Wu Mi engraved “Yulin Tang posts” are “more miscellaneous rice home pen battle ”. Wu 琚 in the m-word of the extent of disorder and even affect the authenticity of jianzang judgment, Zhang Chou “Qinghe painting and calligraphy boats,” said: “Jinling Wu 琚 book Zong Mi Li Department, a few in the snatch, this Bei first ’best in the world’ title List, is the trace also, there are ”clouds set“, there is a Grizzly in today’s world with books, are Wu handwriting, Kam learn ear. ”Unlike ordinary scholars, Unique conditions, your status as a royal Qi made him have the opportunity to see