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赵文瀚(《戏剧文学》编辑部):最近,我省老剧作家赵羽翔同志创作了一部组合剧《大杂院的星期天》(以下简称《大杂院》——编者)。赵羽翔同志的名字是与我省话剧的成长联系在一起的,他的许多剧本都是同志们所熟悉的。今天请大家来,主要是想听一听各方面对这个剧本的意见。今天到会的有我们省的评论家、剧作家、导演以及其他方面的同志。我们编辑部对诸位的光临,表示热烈欢迎。希望大家对赵羽翔同志的新作畅所欲言,提出自己的意见。庐湘(吉林大学中文系):我认为,《大杂院》仍然保持了赵羽翔同志一贯的现实主义风格。作品以生活本身的方式,表现出中国市民阶层的人际关系,且与同是写市井生活的《小井胡同》不同,很有他自己的特点。文艺作品不一定要给人以“答案”,有时,有“答案”反而容易概念。《大杂院》就是把生活中的现象摆给人看,让人们自己去反思,从人们的善善恶恶之中,追溯历史积淀的
Zhao Wenhan (Editorial Department of Drama Literature) Recently, Comrade Zhao Yu Xiang, a veteran playwright in our province, created a composition drama Sunday of the Grand Courtyard (hereinafter referred to as the “Grand Courtyard” - editor). Comrade Zhao Yuxiang’s name is associated with the growth of drama in our province, and many of his plays are familiar to comrades. Please come today, mainly to listen to all opinions on this script. There are commenters in our province, dramatists, directors and other comrades who arrived here today. Our editorial department warmly welcomes all of you. I hope everyone will speak out freely about Comrade Zhao Yuxiang’s new work and put forward his own opinions. Lu Xiang (Department of Chinese, Jilin University): In my opinion, the “Da Kung Yuan” still maintains the consistent realism style of Comrade Zhao Yu Xiang. By way of life itself, the work shows the interpersonal relations of the Chinese citizen class and has its own characteristics, unlike the “alleyway of the Xiaokai”, which is the same as writing down the marketplace life. Literary and artistic works do not necessarily give people the “answer”, sometimes, “answer” but easy concept. The “Gompa” is to put the phenomenon of life to people, let people to reflect on their own, from people’s good and evil among the traces of historical accumulation