在中国,自周秦而至唐宋,人物画都曾占有重要位置。据画史记载,唐代张萱的画迹流传不少,代表作有《乳母将婴儿图》、《捣练图》、《虢国夫人游春图》等。《虢国夫人游春图》所描绘的是唐玄宗时的虢国夫人和宫女们春天乘马出游的场景。全卷构图气脉连贯,人物面额颇具情味。人物线条作游丝纹,细劲有力,没色匀称明净,反映出唐时仕女画的高超水准。继张萱之后,仕女画的代表画家首推周昉。他的仕女画体态浓艳丰肥,颇具风姿,成功地表现出仕女的内心精神世界,堪称一绝,并有“周家样”之誉。代表作品有《杨妃出浴》、《游春》、《纨扇》、《簪花仕女图》和《执扇仕女图》。仕女画在宋元时期,由于山水、花鸟渐成主导,故而人物画整体略比唐代逊色。明代中后期的人物画多仿效吴派唐 In China, since the Zhou dynasty and the Tang and Song dynasties, portraits have occupied an important position. According to historical records, Zhang Xuan’s paintings in the Tang Dynasty spread quite a lot. His masterpieces include “Nurse’s Baby Figure,” “Nursing Figure,” and “Madame Guo’s Spring Tour.” “Maduo lady travel map” is depicted in the Tang Emperor Xuanzong when the country lady and palace ladies spring travel scenes. The whole volume composition consistent, character denomination quite lovable. Characters lines swim silk lines, delicate and powerful, no color symmetry net, reflecting the Tang Dynasty ladies painting superb level. Following Zhang Xuan, the representative painter painter devaluation Zhouyi. His ladylike body is full of rich and handsome, quite graceful, successful performance of ladies inner spiritual world, called a must, and “Zhou family like ” reputation. Representative works include “Yang Fei Bath”, “You Spring”, “Xuan Fan”, “Ladies flower map” and “Executive Fan Shi female figure.” Ladies and gentlemen in the Song and Yuan Dynasties, due to landscapes, flowers and birds became the dominant, so the whole figure slightly less than the Tang Dynasty. Middle-late Ming Dynasty figures and more imitation Wu sent Tang