作为一个老的民族音乐工作者,我从事民族管乐的演奏已有数十年的历史,但是有时我又为笙的命运担忧。五六十年代民族音乐有过其辉煌的历史,笙作为民族乐器也曾推出过众多的演奏家,这些演奏家为发展笙的演奏艺术作了许多努力,为传统的继承做了承上启下的工作。但近年来随着“民乐危机”,整个民乐界很不景气,在这种情况下我们的笙界是否能重新推出自己的优秀演奏人才?现在看起来,我的这种担忧是多余的。作为传统的民族音乐文化流 As an old folk musician, I have been playing folk music for decades, but sometimes I worry about the fate of Sheng. During the 1950s and 1960s, the national music had its glorious history. Sheng, as a national musical instrument, also introduced many performers. These performers made great efforts to develop the performing art of Sheng, and inherited the traditional inheritance. But in recent years, with the “Folk Music Crisis,” the entire folk music industry is in a downturn. Under such circumstances, can our public sector reintroduce its own outstanding talents? Now it seems that my concern is superfluous. As a traditional national music culture stream