新时期以来,在实践美学阵营中李泽厚、蒋孔阳、周来祥和刘纲纪等人的美学理论各有侧重、互有出入,彼此相对独立并处于动态的建构中。1990年代,“后实践美学”对实践美学进行了全面“突破”与“超越”,实践美学更陷于风雨飘摇的境地。在这种双重的学术背景下,实践美学尝试新变以 Since the beginning of the new era, the aesthetic theories of Li Zehou, Jiang Kongyang, Zhou Laixiang and Liu Gangji have focused on each other in the practice aesthetics camp and are relatively independent from each other and in a dynamic construction. In the 1990s, “post-practice aesthetics” conducted a comprehensive “breakthrough” and “transcendence” to practical aesthetics, and practical aesthetics was in a more precarious situation. In this dual academic background, practical aesthetics is trying to make new changes