清初杰出的戏曲作家和戏曲理论家李渔在《闲情偶寄》中总结了传奇(戏曲)表演和导演的规律,至今具有重要的学术价值。文章对戏曲美学片段任意枚举了几项,如对传奇创作的根本目的——“登场”、导演处理、二度创作、“念白”、演员培养、插科打诨等随手记下了心得,从美学理论上以资读者探讨。 Li Yu, an outstanding drama writer and opera theorist in the early Qing Dynasty, summarized the law of the legendary (opera) performances and directors in his “Xianqing Oujiu” and so far it has an important academic value. The article enumerates several pieces of the drama aesthetic aesthetics, such as the basic purpose of the legendary creation - “debut”, director treatment, second creation, “read the white”, actor training, gag practice and so easy to write down the experience , From aesthetics theory readers to explore.