葛水平的中篇小说《喊山》是底层叙事文学的代表作之一,其以太行山为背景,揭示了底层人民的生存状态。以此为底本的电影《喊·山》由内地导演杨子改编和执导,彰显人物个性与生存冲突,表现爱情与人性美,是文学与电影完美融合之作。从小说到电影,其受众不同、人物角色彰显程度不同。以此为切入点分析电影《喊·山》的叙事改编艺术,探析影片“喊山”的象征意味的丰富内涵。 One of the representative works of the narrative literature in the ground is Ge Yeping’s novella “Shouting Mountains”, which reveals the state of subsistence of the people under the background of the Taihang Mountains. Based on this, the film “Shout · Hill” was adapted and directed by the mainland director Yang Zi to demonstrate the conflict between individuality and existence and to show the beauty of love and humanity. It is the perfect fusion of literature and film. From novels to movies, their audiences are different, and their personalities are different. From this point of view, this article analyzes the narrative adaptation art of the movie “Shout · Mountain” and explores the rich connotation of the symbolic meaning of the film “Shouting Hill”.