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一、“材料雕塑”的定义踏入20世纪,西方雕塑家在进行创作时,对雕塑材料运用的观念和技法上,产生了重大的转变。过去对雕塑材料的应用,无论是石、木或金属等,都被视作雕塑造型上一种“重现”的手段。自从罗丹(Aususte Rodin)对“泥性”的掌握,使得“泥味”结合在雕塑创作之中开始,雕塑家把雕塑材料本身之美放在雕塑创作一个重要的位置上。由此,雕塑家开始转变思维,把雕塑载体的材料美考虑进自己的雕塑创作中去,伴随着其他现代艺
First, the definition of “material sculpture” Into the 20th century, Western sculptors in the creation, the concept and technique of the use of sculpture material, has made a significant change. In the past, the application of sculpture materials, whether stone, wood or metal, was regarded as a kind of “reproduction” means of sculpture. Since Aususte Rodin’s mastery of “muddyness” has made “muddy ” in combination with sculpture creation, sculptors have placed the beauty of sculpture material in an important position in sculpture creation. As a result, the sculptor began to change his mind and consider the material of the sculpture carrier into his own sculpture creation. Along with other modern art