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随着“全球化”进程的不断加速,人们似乎期待着各国文化在“全球化”的影响下相互渗透,不断融合,直至这个世界上只剩下一种文化。本文将首先探讨全球化下普世文化的合理性和可能性,随后通过对《刮痧》和《木兰》两部电影中所展现的文化冲突与融合进行深入分析,意在说明“普世文化”尚不在我们视野可及的范围之内,它的出现距离我们还很远。
With the acceleration of the “globalization” process, people seem to expect that the cultures of all nations will infiltrate and blend with each other under the influence of “globalization” until there is only one culture left in the world. This article will first explore the rationality and possibility of universal culture under the globalization. Then, through an in-depth analysis of the cultural conflict and integration demonstrated in the two films “Gua Sha” and “Mulan,” it is intended to explain that “the universal culture ”Not yet within the scope of our vision, its appearance is still far away from us.