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国立艺专成立于1928年,其核心教员均曾留学法国。国立艺专深受法国现代艺术特别是现代绘画的影响,是近代中国与欧洲现代建筑的生成土壤最为相近的地方。国立艺专的建筑教育负责人刘既漂针对“工学建筑”提出了“美术建筑”的思想,第一次将建筑放在美术的范畴,认为建筑的艺术性是第一位的。在1925年的巴黎装饰艺术与工业博览会上,刘既漂设计的“美术建筑”雏形中国馆,与柯布西耶的现代建筑宣言“新精神馆”同时展出。文章通过“美术建筑”思想与柯布西耶的现代绘画和现代建筑思想的比较,以及1929年西湖博览会上的“美术建筑”与“工学建筑”工业馆的比较,分析了“美术建筑”未能走到现代的原因:忽略了现代绘画中的空间对建筑的影响;“美术建筑”受到学院派建筑影响,将建筑理解成为形体和装饰的结合;对于建筑民族性的强调,导致“美术建筑”成为利用象征图案表达民族性的纪念碑。
National Arts was established in 1928, its core faculty have studied in France. National Art Academy is deeply influenced by modern French art, especially modern painting. It is the place where modern Chinese and modern European architecture generate the closest soil. Liu Yuefu, head of architecture education at National Art Education College, put forward the idea of “art architecture ” for “Engineering Architecture ”. For the first time, he put architecture in the category of art and considered the art of architecture as the first priority. At the 1925 Paris Art Deco and Industrial Exposition, the “Art Architecture” prototype of China, both designed by Liu, was exhibited at the same time as the Corbusier Declaration on Modern Architecture “New Spirit Pavilion.” Through the comparison between the idea of “art architecture” and the modern painting and modern architecture of Corbusier, and the comparison of the “art building” and “industrial buildings” industrial museum at West Lake in 1929 The reason why “Fine Art Architecture” failed to go to the modern era has neglected the influence of space in modern painting on the architecture. “Fine Art Architecture” was influenced by academic architecture and understood the architecture as a combination of form and decoration. The emphasis on the national character of architecture has led to the “Art Architecture” becoming the monument to express the national character by symbolic patterns.