本文运用阐释学、符号学、叙述学、接受美学以及主体批评等多种理论.从文本、社会背景、创作时尚、作家的主体意识以及审美视角等多方位进行审视.较为深刻地探讨了《围城》的思想蕴含。 This article uses a variety of theories such as hermeneutics, semiotics, narration, receptive aesthetics and subject criticism to examine in many aspects such as text, social background, creative style, the writer’s subjective consciousness and aesthetic perspective, "Thought implies.