“民间舞创作”的定义和范畴,不得不承认,是不能不计较时代因素而存在的。也就是说,每一个民间舞作品的诞生,时代的意义赋予了其不可磨灭的生命力和活力。每一个时期的代表作品都被深深刻下了时代的烙印。从《荷花舞》《草原上的热巴》等的淳朴,到《奔腾》《雀之灵》的突破,再到《碧波孔雀》《秘境之旅》的刺激,最后,又回归到《云南印象》《云南的响声》等的原始精神,这一条只有中国民族民间舞可以走过的独特轨 “Folk dance creation ” definition and category, have to admit that we can not ignore the elements of the times exist. In other words, the birth of each folk dance works, the significance of the era given its indelible vitality and vitality. The representative works of each period are deeply engraved with the imprint of the times. From the “Lotus Dance” “Prairie on the Prairie” and so forth, to the “Pentium” “Spirit of the Sparrow” breakthrough, and then to the “Blue Peacock” “Famine Tour” stimulus, and finally return to the “impression of Yunnan ”“ Yunnan sound ”and other primitive spirit, this one only Chinese folk dance can go through the unique track