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后现代特征已经在渐渐进入我国的影像艺术,如何解读影像媒介传播中所表现出来的这些特征,具有重要的理论意义和实践价值。本文从解构属性、去经典化属性和“恶搞”属性三个角度分析了当代影像的后现代特征。
Postmodern features have gradually entered the video art of our country. How to interpret these features manifested in the dissemination of video media has important theoretical and practical values. This article analyzes the postmodern features of contemporary images from the perspectives of deconstruction, de-classical properties and “spoof ” attributes.