戏曲,尤其是戏曲现代戏,如何争取更多的观众,是个值得在实践中不断探索、在理论上认真探讨的重要课题。我的看法是,应该从当代观众的审美需要出发,努力创造当代戏曲。我理解和追求的当代戏曲是这样的:它脱胎于传统戏曲的母体,又受当代文明的滋养,以当代观众的审美需要为出发点,它以鲜明的时代特色和独具一格 How to get more audiences for opera, especially opera and modern drama, is an important subject worth exploring in practice and seriously discussed in theory. My opinion is that we should strive to create contemporary drama from the aesthetic needs of contemporary audiences. The contemporary drama that I understand and pursue is like this: It is born of the mother of traditional drama and nourished by contemporary civilization. Starting from the aesthetic needs of contemporary audiences, it is characterized by its distinctive features of the times and its unique style