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情感与理性的审美关系问题,是文艺理论和文艺创作中的一个基本问题。总结西方近代这一重要历史阶段对情理审美关系的理性认识,对于推动文论中理性、非理性(包括情感)、非理性主义的深入研究和创作中如何把握好情理关系有着重要的现实意义。一、文艺复兴和启蒙运动的情理统一取向文艺复兴时期的美学是以人学美学为根本特征,随着人本主义思潮的高涨,此时在哲学上以人性代替神性,以人权反对神权,以人道主义取代神道主义;在美学上以人学美学代替中世纪的神学美学。人本主义以人为本位,为中心,维护人的尊严和价值,
The aesthetic relationship between emotion and reason is a basic issue in literary theory and literary creation. To summarize the rational understanding of the esthetic aesthetic relationship in this important historical stage in the modern West is of great practical significance in promoting the rational relationship between rational and irrational (including emotion) and irrationalism in the literary theory. I. Reunification and Enlightenment Unification of the Orientations of Reason The Renaissance aesthetics is based on human learning aesthetics as the basic characteristics, with the rise of humanism, this time in philosophy to humanity instead of divine nature of human rights against theocracy, To replace the humanitarianism of the Shintoism; aesthetics in the human aesthetics to replace medieval theological aesthetics. Humanism is people-oriented, as the center, to maintain human dignity and value,