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抗战时期的重庆戏剧文学作品中充满着对家乡的怀念和有家不能归的痛楚。旅渝剧作家实际有两重空间体验,一方面是家乡对自我的亲切经验,另一方面却是在重庆的无根、疏离之感。他们对家乡空间记忆的回顾与对家乡亲切感的表达成为其剧本中地理景观塑造的来源之一。根据地理感的不同,又可以将地理景观的表现分为两类:一类是抗战背景下沦陷的家乡景观,另一类是对与家乡相对立的流寓地空间的地理景观塑造。
During the war of resistance against Japan, Chongqing literary works are full of nostalgia for the hometown and the pain of being unable to return home. There are actually two space experiences for the opera dramatists in Yuzuo. On the one hand, they are the hometown’s intimate experience of self and on the other hand, they are rootless and alienated in Chongqing. Their review of their hometown spatial memory and their expression of the intimacy of their hometown have become one of the sources of the geo-landscapes in their plays. According to the difference of geography, the performance of the geographical landscape can be divided into two categories: one is the hometown landscape that falls under the background of the Anti-Japanese War, and the other is the geographical landscape modeling of the land-use space opposite to the hometown.