新时期以来,在旧片重映的短暂热潮过后,一方面中国电影市场开始急剧滑坡,民族电影产业面临生存危机,另一方面中国电影文化形态在西方现代电影的参照视野下不断变革,致使民族电影的文化身份也面临潜在的危机。围绕这双重危机,中国电影民族化的声音不断高涨,并曾形成两次相对集中 Since the beginning of the new period, after the brief period of remaking of the old films, on the one hand, the Chinese film market began to decline dramatically, while the national film industry was facing a crisis of survival. On the other hand, the cultural form of Chinese cinema continued to change under the reference vision of modern Western cinema, The film’s cultural identity is also facing a potential crisis. Around this double crisis, the sound of nationalization of Chinese movies is constantly rising and has formed two relatively concentrated