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在奥地利文坛叙事实验与语言批判进入高峰期的上世纪70—80年代,西方女性主义文学批评的发展也达到了高潮。后结构女性主义一方面为分析当代与经典文本提供了新的理论手段,另一方面也潜移默化地影响着作家们的创作,使得美学和叙述上的抵抗直到今天仍然是奥地利女性文学的一个核心特征。本文尝试以克里斯蒂娃的“符号穹若”理论为基础,从拆解线性叙事时间、分裂叙事声音和诗化叙事语言三个方面对奥地利当代女性先锋文本中“实验性书写”与“阴性书写”两者之间的互动模式进行一次初步的探索。
In the 70-80s of the last century, the development of western feminist literary criticism culminated in the peak of Austrian literary narrative experiment and language criticism. Post-structural feminism, on the one hand, provides a new theoretical method for analyzing contemporary and classic texts and, on the other hand, it subtly influences the creation of writers, so that aesthetic and narrative resistance are still a core feature of Austrian feminist literature today . This paper attempts to analyze the “experimental writing” and the “modern writing” in Austrian contemporary women’s avant-garde texts from three aspects: disassembling linear narrative time, dividing narrative sounds and poetic narrative language based on Christyva’s “ ”Negative writing " to conduct a preliminary exploration of the interaction between the two models.