中国山水画之难,只有画家本人能够体会。单说笔墨.下可应物象形、上须澄怀味道.多少画家倾其一生。皓首佝背。不能得其一二。天资卓尔者.尚且一生墨田耕耘,行千里,破万卷,方成一代大家。今天的山水画家面临的课题更多。需要调和中西的文化和艺术,需要研究传统语言的当代性转换.需要梳理几千年来的中国画笔墨.需要在理解西方绘画的基础上攫取有益的语言金矿。需要在艺术家过剩的时代寻找笔墨的自性。山水画家刘罡面对上述课题有自己特有的研究方法:这些方法别人也在使用, The difficulty of Chinese landscape painting, only the artist himself can understand. Single said pen and ink. Under the shape of the object should be, on the need to Cheng Huai taste. How many painters life. Hao Shou 佝 back. Can not get one or two. Talent drow who Shangyin hard work for a lifetime, thousands of miles, broken rolls, Fang Cheng generation of everyone. Today’s landscape painters face more topics. The need to reconcile the cultures and arts of both China and the West requires the study of the contemporary transformation of traditional languages, the need to sort out thousands of Chinese brushstrokes in the past, and the need to capture profitable language gold mines based on an understanding of Western painting. Need to look for the pen and ink in the era of excess artists. Landscape painter Liu Gang face of these issues have their own unique research methods: others are also using these methods,