论文部分内容阅读
民国时期书籍装帧界是由书籍装帧者以及文人、学者、艺术家组成的设计群;他们在弘扬民族文化的基础上,参照外来文化,寻求中国传统哲学美学思想在时代的承续。民国时期书籍装帧典雅、朴实、大方的艺术特质,建构了中国风格之经典,形成民国时期书籍装帧的整体特质。民国时期,中外文化艺术历史的融合和积淀、时代审美的趋同以及艺术思潮在时间点的合拍,最为重要的是,这些条件的同时到场,形成中外文化在“通理”下的交流和融合。
In the period of the Republic of China, the book-binding community was a design group consisting of book-binding artists, scholars, artists and artists. On the basis of carrying forward the national culture and referring to the foreign cultures, they sought the continuity of the traditional Chinese aesthetic philosophy in the era. During the period of the Republic of China, books were decorated with elegant, simple and generous artistic qualities, which built the classic Chinese style and formed the overall characteristics of the book binding during the Republic of China. During the period of the Republic of China, the fusion and accumulation of the history of Chinese and foreign cultures and arts, the aesthetic convergence of the times and the coherence of the artistic thoughts at the time point were of paramount importance. At the same time, these conditions appeared at the same time to form the exchange between Chinese and foreign cultures under Fusion.