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本文对佛教美术的历史及传入进行了梳理,深入分析了佛教美术的形式,将新疆龟兹石窟以及敦煌莫高窟作为佛教石窟的主要两大代表,从而探讨中国绘画的特点,对佛教美术的传入对中国画色彩的影响进行论证。自蓝绿色的色调传入我国之后,不断丰富色彩体系,通过色彩晕染增强立体感,完善中国画的绘画技法,为我国色彩画的发展奠定坚实的基础。
This paper analyzes the history and the introduction of Buddhist art, deeply analyzes the forms of Buddhist art, and makes the two major representatives of Buddhist grottoes in Qutang Grottoes in Xinjiang and Mogao Grottoes in Dunhuang as an example to discuss the characteristics of Chinese painting, The introduction of the color of Chinese painting to demonstrate the impact. Since the introduction of the bluish-green hue into our country, we have enriched the color system, enhanced the three-dimensional feeling through the color blooming, improved the painting techniques of Chinese painting, and laid a solid foundation for the development of color painting in our country.