《虞美人草》是夏目漱石于1907年迈入职业作家之路后,在《东京朝日新闻》发表的第一部长篇小说,是其创作阶段从前期向中后期过渡的一部承上启下的作品,可见其独特的意义,但是它在中国学界一直极少被提起,国内对其研究也是处于停滞不前的状态。虽然在大众传播领域,这部作品有了一些知名度,却是把这部以“我执”为主题,提倡“道义”的作品贴上了“兄妹畸恋”“乱伦”的标签,直到2011年《虞美人草》第一个汉译本的出现,大众对这部作品的认识才慢慢走向正途,在学界也泛起了涟漪。本文试通过分析梳理《虞美人草》译本出现前后这部作品在中国内地的传播、接受状况,得出即使这是一个文学传播方式多元的社会,可靠的译本依然是传播外国文学经典的最重要方式这一启示。 As the first novel published by Natsume Soseki in 1907 after becoming a professional writer, The Beauty of the Poppies, a creative piece of the transition from the early period to the mid-to-late period, Its unique significance can be seen, but it has been rarely mentioned in Chinese academic circles and its research in China is still at a standstill. Although there is some popularity in the field of mass communication, it is a work that has the theme of “My Executive” as its theme and advocated “moral” as its “brother and sister” “Label until 2011,” poppy “the first Chinese version of the emergence of public awareness of this work slowly toward the right path, also rippled in academia. This paper attempts to analyze the spread and acceptance of this work in mainland China before and after the translation of the translated version of ”Yu Mei Ren Cao", and concludes that even though this is a society with diverse forms of literature communication, reliable translations are still the most important translation of foreign literary classics Way of this revelation.