莫言,中国近现代短篇中篇包括长篇小说的集大成者,在他的作品中莫言赋予了其独具特色的语言风格和艺术技巧,令人咂舌的夸张、惟妙惟肖的比喻、当头棒喝的反讽、与众不同的魔幻现实主义、多以家乡“高密东北乡”为创作源泉,怀有浓郁的“乡土情怀”、女人形象是其小说的主题思想之一。莫言笔下的小说人物形象绝非一般小说人物足以比拟,其小说人物亦人亦鬼,亦正亦邪,亦黑亦白,亦善亦恶,亦官亦匪,亦高尚亦粗俗,人物形象饱满而富有特色,充分展现了莫言笔下乡村人物形象的多变性和丰富性。本文以莫言的长篇小说《檀香刑》、《红高粱》、《生死疲劳》和《酒国》为例,逐一剖析莫言各种写作叙事手段,让读者读懂莫言小说的同时,更能读懂莫言本人,走进莫言的内心世界,挖掘其内心深处的思想和精神。 Mo Yan, a modern Chinese short numismatic and novelist master, in his works Mo Yan gives his unique language style and artistic skills, exaggerated exaggeration, vivid metaphor, ridiculous irony, and Different magical realism, mostly hometown “high density northeast township ” as the source of creation, full of rich “native sentiment”, the image of women is one of the theme of his novel. Novels of novels written by Mo Yan are not the characters of novels in general. The characters in the novels are also ghosts, also evil, black and white, good and evil, officials and bandits, noble and rude, full of characters And full of features, fully demonstrated the rhetoric and variability of rural character image. Taking Mo Yan’s novels “Sandalwood Punishment”, “Red Sorghum”, “Life and Death and Fatigue” and “Wine Country” as examples, this article analyzes all kinds of writing narrative means of Mo Yan one by one so that readers can understand Mo Yan’s novels at the same time, I, into Mo Yan’s inner world, mining its inner thoughts and spirit.