从诗歌主旨内涵、诗歌抒情主体和诗歌艺术三个大的方面考察了《卷耳》漫长的接受史,从中可以看出随着时代的发展,历代评论家关注的重点都有所转移。从最初阐发温柔敦厚的诗教到最终还原诗歌的本来面貌,并对诗歌本体进行深入、细致和全方位的考察,这其中不仅反映了时代思想对文学艺术的影响,更可见出诗歌批评理论的逐渐发展和不断成熟。 From the three aspects of the main content of poetry, the main body of poetry lyric and the art of poetry, we examine the long acceptance history of “Ear of Ear”, from which we can see that with the development of the times, the focus of attention of all the successive critics has been shifted. From the initial analysis of the gentle and profound poetic teaching to the ultimate restoration of the original appearance of poetry and the in-depth, detailed and comprehensive examination of the poetry ontology, this not only reflects the impact of the era ideology on literature and art, but also shows the theory of poetry criticism Gradually develop and continue to mature.