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卡西尔将人类的全部文化成就看作是人之为人的本质所在,是人特有的精神功能创造,符号一词就是这一功能及结果的概括。中国传统山水画作为中国画的主流之一,具有中国文化的典型特点,本文尝试从卡西尔的理论视角出发,分析山水画作为符号介质,其诞生和发展是如何强化了主客观的分离,促进了“精神之我”的诞生,以及符号永远指向却不能穷尽意义的特质在山水画中的表现,如何以创造无限的艺术想象空间使观者达到“心游”的审美境界和目的。
Cassirer regards all the cultural achievements of human beings as the essence of human beings, the unique creation of spiritual functions, and the symbolic term is the summary of this function and result. As one of the mainstream Chinese paintings, Chinese traditional landscape painting has the typical characteristics of Chinese culture. This paper tries to analyze the landscape painting as a symbol medium from the perspective of Cassirer’s theory. How its birth and development has strengthened the subjective and objective separation and promoted the development of The birth of “Spirit of Me” and the performance of the symbolic landscape that can never reach its full meaning in the landscape painting, and how to create an infinite space of artistic imagination so that the viewer can attain the aesthetic level and purpose of “Heart Tour”.