本世纪不足一百年的时间里,就现代水墨人物而言,它已经历了一番,追求形式——以形写神——含物应到——意足不求颜色似的几个发展阶段,本文试从徐悲鸿——蒋兆和——周思聪三人的承继关系以及他们自身的艺术实践和成就来探讨形与意之间的主次转换,以便把握住现代水墨人物画的发展脉络。 20世纪初,徐悲鸿处在中国社会急剧变革的时代,在五四 In less than one hundred years of this century, as far as modern ink figures are concerned, it has gone through some forms of pursuit of form - in order to describe God In this phase, this paper attempts to explore the inheritance of Xu Beihong, Jiang Zhaohe and Zhou Sicong as well as their own artistic practices and achievements in order to grasp the development context of the modern ink figure painting. At the beginning of the 20th century, Xu Beihong was in an era of rapid social change in China