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诗的起源问题历来引起批评家们的普遍关注和兴趣.因为从某种意义上说,事物的本质就隐藏在它的起源中.尽管事物会发展、演化甚至裂变得面目全非,但这种发展变化的始因早已潜伏在该事物的初始状态中,正如一粒橡子已经包含了日后成为参天大树的全部信息密码.现代人类学和人种学提供的资料表明,越是深入到原始文化层,就越发现它的混沌与无序,艺术、诗歌、劳作和宗教难舍难分地纠结成一巨大的文化团块(cultural mass).只是在文明变得日趋复杂以后,专门化的分工才产生,原始文化团块才分崩离析,形成我们现在所看到的那种格局.由此可见,只有将诗纳入人类原始文化团块中加以考察,才有可能找到其起源和演化的某些规律,从而确定它的本质,以及它在现代文化中所应有的地位.
The issue of the origin of poetry has always aroused the widespread concern and interest of critics, for in a sense, the essence of things is hidden in its origin .Although things can develop, evolve or even become completely fissionable, such developments and changes The cause has long been lurking in the initial state of the thing, just as an acorn already contains all the information that would become a giant tree in the future.The information provided by modern anthropology and ethnography suggests that the more deeply into the primitive culture , The more it is found in chaos and disorder, and the arts, poetry, labor and religion inextricably intertwined into a huge cultural mass. Only after the civilization becomes more and more complicated, the special division of labor is produced , The original cultural massif only broke apart and formed the kind of pattern we now see.Thus it can be seen that only by incorporating the poem into the primitive culture of human beings can we find some laws of its origin and evolution and thus Determine its essence, and its place in modern culture.