李渔戏曲美学是我国古典戏曲美学的集大成者,具有突破性贡献。其突破性概括说来有两点:一是表现出从抒情中心向叙事中心转变的迹象,二是自觉追求和推进从“案头性”向“舞台性”的转变。《闲情偶寄》作为我国第一部富有民族特点并构成自己完整体系的古典戏曲美学著作,是一座里程碑。李渔的世界观积极的、进步的、合理的因素给他的美学理论带来有益的影响,更根本的是应看到,李渔戏曲美学之所以能取得这么大的成就,是历史发展的必然结果,是那个时代的必然产物。 Li Yu opera aesthetics is the master of Chinese classical opera aesthetics, with a breakthrough contribution. There are two breakthroughs: First, it shows signs of transformation from lyric center to narrative center; second, it consciously pursues and promotes the transformation from “desk ” to “stage ”. As a milestone in China’s first classical aesthetics opera with rich national characteristics and composing its own complete system, “Leisure Couples” is a milestone. The positive, progressive and reasonable factors of Li Yu’s world view bring beneficial effects to his aesthetic theory. More fundamentally, Li Yu’s aesthetic theory of opera has achieved such a great achievement, which is the inevitable result of historical development. Is the inevitable product of that era.