在包豪斯设计学院的不断探索与总结下,提出的“三大构成”原理,已经通过它的科学性和严谨性,作为一种设计理念被广泛的运用于设计与设计教育领域并影响深远,不管是抽象的现代设计,还是传统的民族艺术都或多或少的受到构成法则的影响,釉下彩陶的设计与开发也必然会在无形当中受到构成法则潜移默化的影响,不管是釉下彩陶的造型、装饰,还是空间布局都与构成法则有着紧密的联系。 Under the constant exploration and conclusion of Bauhaus Design School, the proposed “Three Constituents” principle has been widely used in the field of design and design education as a design concept through its scientificness and rigor Far-reaching, whether it is abstract modern design, or the traditional national art are more or less affected by the law of composition, underglaze pottery design and development will inevitably be imperceptibly influenced by the composition of the law imperceptibly, whether it is glaze Under the pottery modeling, decoration, or spatial layout are closely linked with the rules of composition.