对于一个上世纪60年代出生的艺术家来说,谭钧的作品似乎与他同时代画家的作品有很大的区别。谭钧的作品总是流露出一个男性艺术家对女性身体美的追求和表达,他没有随波逐流地表现一些高大全、红光亮的题材,而是以几乎具象的表现手法,将一些植物、花卉与女性身体的表现相结合,尝试着传递出某种带有超写实主义的神秘气息。他没有随波逐流地去展现一种完整的植物之美和女性人体的曲线之美,而是转向内心去描绘和刻画属于自己的色彩世界,其作品常以写实的手 For an artist born in the 1960s, Tan’s work appears to be very different from the works of his contemporary painters. Tan Jun’s work always reveals the pursuit and expression of a male artist’s beauty of the body by the male artist. Instead of drifting on the theme of tall, red and shining, he shows, in an almost vivid way, some plants, flowers and the female body The combination of performance, try to pass some mysterious atmosphere with ultra-realism. Instead of drifting to show the beauty of a complete plant and the curvaceousness of the female body, he turns his heart to depict and characterize his own color world. His works often use realistic hands