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在陶渊明的诗作中,我们可以看到他对于世间风景的审美观照,而作者的审美理想就寄托和浸淫在这些诗作之中。陶渊明的诗句在人格的审美层面上做到了儒道互补,在田园的审美层面上虚静淡然,在社会的审美层面上则和谐敦厚,为我们留下珍贵的精神食粮和美学范本。本文分析了陶渊明审美意识的渊源,并在此基础上详细阐述了陶渊明诗歌中的人格审美意识、田园审美意识以及社会审美意识。
In Tao Yuanming’s poems, we can see his aesthetic view of the world scenery, and the author’s aesthetic ideal is placed on and immersed in these poems. Tao Yuanming’s verses do the mutual supplement of Confucianism and Taoism on the aesthetic level of personality, which are quiet and indifferent on the aesthetic level of the pastoral land. They are harmonious in the aesthetic level of society, leaving us precious spiritual food and aesthetics model. This paper analyzes the origins of Tao Yuanming ’s aesthetic consciousness, and on this basis elaborates on Tao Yuanming’ s personality aesthetic awareness, pastoral aesthetic awareness and social aesthetic awareness.