由波兰国宝级戏剧大师克里斯蒂安·陆帕改编自奥地利作家托马斯·伯恩哈德同名小说的话剧《伐木》,在即将去法国参加阿维尼翁国际戏剧节前夕,在天津和北京隆重上演。历经长达四个多小时吊诡、高冷、困乏的剧场旅行后,京城的戏剧艺术圈暴土扬烟地刮起了一场文化风暴。这位欧陆戏剧巨人破坏规矩,撕裂面具,揭穿谎言,粉碎尊严,把中国最核心的艺术界人士悉数搅合到被嘲讽谩骂的艺术群落里去了。 The “logging”, a drama adapted by Polish national treasure master Kristi Lupa from the same novel by the Austrian writer Thomas Bernhard, was staged in Tianjin and Beijing on the eve of the upcoming Avignon International Festival of Festivals in France. After more than four hours of haunted, high-cold and sleepy theater trips, the theater art scene in the capital blossomed into a cultural storm. The European theater giants ruined the rules, torn their masks, debunked their lies, smashed their dignity and blended all of China’s core art circles into the art community ridiculed.