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从目前所掌握的大量曲目分析,大提琴重奏写作,自意大利巴洛克器乐演奏兴起的时代就已经出现,至今在欧洲已有几百年的历史。这些出自于作曲家与大提琴家之手编创的重奏曲,多源于教堂或世俗声乐作品。从二重奏、三重奏、以至四重奏……等等组合形式繁多,题材广泛。以二重奏形式编辑出版的大提琴教科书、练习曲集屡见不鲜,被普遍采用于教学课堂之中。重奏来自于欧洲。重奏在西洋乐器中占有很重要的地位,几乎所有管弦乐器都涉猎了各式样的重奏教材。在众多器乐重奏中,唯有“低音家族”大提琴重奏,以其强大的优势,在世界音乐舞台上占有稳固的一席之地。大提琴在演奏领域里,可以伴有多种角色。论独奏,可与钢琴、小提琴比肩,号称世界三大独奏
From the analysis of a large number of tracks currently in existence, the era of cello writing and the rise of Italian Baroque instrumental music has emerged and has been in existence in Europe for centuries. These are composed of composer and cellist edited by the composer, mostly from the church or secular vocal works. From the duet, trio, as well as the Quartet ... and so on a wide range of combinations, topics wide range. Editing and publishing cello textbooks in the form of duets, practice essays are not uncommon and are commonly used in teaching classes. The recital comes from Europe. Ensembles occupy a very important position in the western musical instruments, almost all orchestral instruments are covered in all kinds of ensemble materials. Among the many instrumental ensembles, only the “Bass Family” cello, with its powerful advantages, occupies a solid place on the world music scene. Cello in the field of performance, can be accompanied by a variety of roles. Solo, with the piano, violin side by side, known as the world’s three solos