大众文化在中国的兴起引发了诸多的文化纷争。它对自康德以来的审美观、艺术观发出了严峻的挑战,并直接冲击到文学领域,“文学向何处去”成了学界普遍关注的问题。与之相应的,一批前卫的女性作家以张扬的姿态登上文坛,大声呼喊肉体的快感。对此,我们如何应答?在精英与大众、形上与形下面前,我们如何抉择?这也是本文的焦点所在。 The rise of popular culture in China triggered a lot of cultural disputes. It poses a serious challenge to the aesthetic and artistic concepts since Kant and has a direct impact on the field of literature. “Where does literature go?” Has become a topic of universal concern in the academic field. Correspondingly, a group of avant-garde female writers boarded the literary world in an open-minded manner and shouted loudly the pleasure of the body. In this regard, how do we answer? In the elite and the general public, before and after the metaphor, how do we choose? This is the focus of this article.