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今年初,我与老友安东尼·卡罗爵士在他伦敦的工作室里坐下来,畅聊了一番。其动议很简单:两位作品风格迥异,但创作经历相似的雕塑家之间的对话是不是会令人感觉更加的有趣?从某种程度上讲,我们之间的讨论是持续了三十多年的对话的延续,其中涉及了许多话题,从工作室的创作、创作过程到我们共同分享的与佛蒙特州本宁顿学院之间的联系。乔恩·伊舍伍德:你最近办了两个展览,一个是威尼斯克雷尔博物馆展,另一个是在高古轩画廊的展览。关于威尼斯的展览,你想要说些什么吗?安东尼·卡罗:这个展览与威尼斯双年展同时进行。克雷尔博物馆对我来说是一个挑战,它有点像罗马的图拉镇市场,我1992年就在那里
Earlier this year, I chatted with my friend Sir Anthony Caro in his London studio. Its motivation is simple: two works of different styles, but the dialogue between the sculptors who have similar experience in creation is more interesting? To some extent, the discussion between us lasted more than thirty The continuation of the dialogue of the year, which involves a lot of topics, from studio creation, creation process to our shared with the University of Vermont, Bennington link between. Jonas Sherwood: You recently got two exhibitions, one is the exhibition of the Museum of Creel in Venice and the other is the exhibition of galleries in Gagosian. What do you want to say about the Venetian exhibition? Anthony Carlo: This exhibition takes place simultaneously with the Venice Biennale. The Creel Museum is a challenge for me, it’s a bit like the market in Tula, Rome, where I was in 1992