曹郁《南京!南京!》(1)低照度,在室内的一些场景中,他仅以烛光作为主要的光源进行照明。受到画家乔治·德·拉·图尔的油画创作风格的影响。烛光照在墙壁或人的脸上能够形成亮部向暗部的柔和过渡,并能获得扎实的黑色。(2)烟雾,由于《南京!南京!》是一部黑白片。在拍摄前摄影师和烟火师做了很多雾气和放烟的实验。在紧密的配合下烟火师的灰黑色烟雾成为摄影师最好用的蝶布和黑旗。灰黑色烟雾浓重的地方,能够有效的压暗画面,同时烟雾能够使同一暗部 Cao Yu “Nanjing! Nanjing!” (1) low light, in some indoor scenes, he only candlelight as the main light source for lighting. Influenced by the oil painting style of painter George de La Tour. Candlelight on the wall or in the face of the human body to form a gentle transition from light to dark, and access to a solid black. (2) smoke, because “Nanjing! Nanjing!” Is a black and white film. Photographers and fireworks officers did a lot of fog and smoke experiments before shooting. In close cooperation with the fireworks division’s gray-black smoke to become the best photographer with a butterfly and black flag. Dark gray smoke thick place, can effectively darken the screen, while the smoke can make the same dark