《关山行旅图》是五代后梁画家关仝的代表作之一,该画构图奇特,雄伟开阔。从这幅画中我们看出他师承荆浩,画风雄伟凝重,深的荆浩的笔墨之法,将其师的开创的勾、皴、擦、染、点的山水画技法推向了成熟,并在继承的基础上,又有其自身的创新之处,甚至力逾其师。本文以关仝的《关山行旅图》为例,通过对其用笔,用墨以及构图的分析,并结合自身的学习体会来看其绘画风格上的继承与创新。 “Guanshan travel brigade” is one of the representative works of the Five Dynasties Beiliang painter Guan Tong, the composition of the picture peculiar, majestic and open. From this picture we can see that he taught Cheng Hao, the magnificent style of dignity, the deep Jing Hao’s method of brush and ink, the teacher created the hook, 皴, rub, dye, point of landscape painting techniques to mature, And on the basis of succession, it has its own place of innovation, and even over its division. Taking Guanshan Trip Brigade as an example, this paper analyzes the inheritance and innovation of its painting style by analyzing its pen, ink and composition, combined with its own learning experience.