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在过去30年中国经济急速发展的语境中,艺术世界已见证了风格独具的中国当代艺术的崛起。尽管中国发展迅速,但是依赖西方艺术的史学方法和批评理论,将与西方不同的中国本土艺术纳入西方历史叙事的现象,导致了西方批评家们许多自以为是的假想以及潜在的阐释困难,并继续使西方视角与观点凌驾于东方艺术之上。王建疆呼吁主义的建立,这是中国当代文化以及处于全球话语思想范围内的中国发出“声音”的一种尝试。主义的发展将刺激中国艺术的成长,并提升其对近年来已造成负面效果的市场影响的抵御能力。
In the context of China’s rapid economic growth in the past 30 years, the art world has witnessed the rise of contemporary Chinese art with its unique style. Despite China’s rapid development, relying on Western historiography and critical theory of Western art to incorporate Western Chinese indigenous art into western historical narratives led to many self-righteous assumptions and potential interpretations by Western critics and continued Western perspectives and perspectives override Oriental art. The establishment of Wang Jianjiang’s appealing doctrine is an attempt by China to issue “sound” in contemporary Chinese culture and in the context of global discourse. The development of the doctrine will stimulate the growth of Chinese art and enhance its resilience to the market forces that have had a negative effect in recent years.