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西方古典音乐,在今天已然成为一个家喻户晓的文化名词,同时,也是一个容易被误读的文化概念。在当下多元化的音乐鉴赏方式中,无论选择传统的音乐会现场,还是聆听唱片CD或无限翻新的网络视听形式,当人们论及何为西方古典音乐中的经典,一般会想到《马太受难曲》《第三“英雄”交响曲》《革命练习曲》等这些浩如烟海的著名作品,以及这些作品背后J.S.巴赫、贝多芬、肖邦等这样如雷贯耳的作曲家们。这些似乎被爱乐者公认的经典是怎样存在于音乐鉴赏过程中的?又
Western classical music has become a well-known cultural term in our country today. At the same time, it is also a cultural concept that is easily misread. In today’s diversified music appreciation modes, people often think of “Matthew’s suffering when he talks about what is classic in Western classical music, whether he chooses a traditional concert scene or a CD or an endlessly refurbished web-based audiovisual form. ”Songs“ ”The Third“, ”Heroes“ ”Symphony“ and ”Revolutionary Etudes", all of which are famous and well-known composers behind these works such as JS Bach, Beethoven and Chopin. How does this classics, which seem to be recognized by the Philharmonic, exist in the music appreciation process?