近年,荒诞戏剧引起了戏剧界、文化界和影视界的重视与关注。现在,神州大地似乎正在卷起一股不大不小的『荒诞风』,而春节联欢会则是最明显的表现。 我们说荒诞作为一种艺术创作的探索,应受到重视与欢迎。但是,切不可荒诞成『风』。此风一长,荒诞就可能成为荒唐了。譬如今年的春节联欢节目中,古今穿插,中外同台,时序颠倒的插科打诨,荒诞不经的艺术组合,随处可见。象『包青天』坐上了八十年代的法庭审判台;远古时代的老太太跳起了迪斯科;外国的洋老板招呼来中国的神兵天将……总之,『张飞战秦琼』已是小巫见大巫,荒诞大有成 In recent years, absurd drama has aroused the attention of the theater, cultural and film industries. Now, the vast land of China seems to be winding up a modest “absurd wind”, while the Spring Festival party is the most obvious manifestation. We say absurdity as an exploration of artistic creation should be valued and welcomed. However, it must not be absurd to become “windy.” This wind a long, absurd can become absurd. For example, this year’s Spring Festival Gala, the ancient and modern interspersed, both at home and abroad on the same stage, upside down gag, the absurd combination of art can be seen everywhere. Like “Bao Qing Tian” sits on the bench of the court in the 1980s; the old lady of ancient times dumped the disco; the foreign boss of the foreign country greeted China’s magician Tian Tian ...... In short, “Zhang Fei and Qin Qiong” Great witch, great achievement