近几年,散文创作有两种值得注意的现象:一种是追求鸿篇巨制,动辄便是洋洋万言;另一种便是充斥于报刊的散文随笔缺乏神采,寡淡无味者多,能给人留下深刻印象者寥寥。有感于此,我们编辑了两本精短散文——《谁解风情——10年精短随笔100篇》及《美丽如初——10年精短散文100篇》。这两本书亦是《散文·海外版》近10年精短随笔散文的精选本。中华优秀的古典散文,历来讲究短而 In recent years, there are two noteworthy phenomena in prose creation: one is the pursuit of grand monographs, and at a thousand foreign words; the other is that the essays in the newspapers are lack of essays, Few impressed. In this sense, we edited two short essays - “Who knows the style - 10 years of short essays 100” and “Beautiful as ever - 100 years of short essays 100”. These two books are also selected companion essays for essays and overseas editions in the past 10 years. Chinese excellent classical prose has always been short and short