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已有四百年历史的日本歌舞伎,如今已是商业操作,虽非昔日盛景,但如今仍是个“黄金时代”(日·藤田洋《歌舞伎手册》,三省堂,2002.4)。我国的传统戏曲,目前还受到国家的保护,但几成“明日黄花”。两种不同的状况,是不同的文化意识所造成的。 一、日本歌舞伎状况及其传统文化意识 注重传统剧目的公演。据《歌舞伎手册》统计,目前日本能演纯歌舞伎58个、义太夫狂言38个、舞踊剧49个剧目,合计145个剧目。这些剧目是十九世纪以前的古典歌舞伎
The four hundred-year-old Japanese kabuki is now a commercial operation. Although it was not a spectacular event, it is still a “golden age.” (Japanese · Fujita Yang Kabuki Handbook, Sanshitang, 2002.4). The traditional Chinese operas are still being protected by the state at present, but a few become “yellow flowers of tomorrow”. Two different situations are caused by different cultural awareness. First, the status of Japanese kabuki and traditional cultural awareness of the traditional repertory performances. According to “Kabuki Handbook” statistics, at present Japan can perform pure Kabuki 58, Yi Tai Fu mad 38, Dance Drama 49 repertoire, a total of 145 repertoire. These repertoires are classical kabuki before the nineteenth century