鲁迅对自己的忖度——按照时兴的说法,或曰“定位”——并没兑现:日后,他成为一块他所嘲笑的巨“匾”。在他死去将近80年后,他在一个平民后生那里寻获他当初的位置:一个苦闷彷徨的人,写给另一个苦闷彷徨的人粗读刘春杰的书与画,我不禁起了错位之感。倘若在上世纪50年代,在文革中,甚至80年代,有位中国青年这般迷恋鲁迅和左翼木刻,大抵是对位的:那些年代,鲁迅是几乎惟一 Lu Xun’s degree on his own - in accordance with the fashionable statement, or saying “positioning ” - did not redeem: in the future, he became a giant he laughed at “plaque ”. After nearly 80 years of his death, he found his place in the life of a civilian after he had taken the place: a distressed man, a book written by another miserable man who read Liu Chunjie’s books, and I can not help feeling dislocation . If 50 years in the last century, during the Cultural Revolution, or even 80 years, a Chinese youth who are so obsessed with Lu Xun and the left-wing woodcut, is probably the right place: those times, Lu Xun is almost the only