目前,我国本土的钢琴作品无论是在数量上还是在质量上都没有受到客观足够的重视和认识。在高校的钢琴教学中,教师大多沿用的仍是西方钢琴作品,采纳西方钢琴教育教学模式,这对我国钢琴作品走向世界非常不利。本文笔者阐明了本土钢琴作品走向全世界的必要性以及制约中国钢琴作品走向世界的因素,提出了高校推动中国钢琴作品走向世界的发展策略。 At present, our country’s native piano works have not received sufficient attention or understanding objectively both in quantity and in quality. Piano teaching in colleges and universities, most of the teachers are still using the Western piano works, the adoption of Western piano teaching model, which is very unfavorable to our country piano works to the world. The author of this paper clarifies the necessity of local piano works going global and restricts the factors that lead Chinese piano works to the world, and puts forward the development strategy of promoting Chinese piano works to the world.