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旧体诗词的创作在当代陷入尴尬之境。一方面是文学史的权力使然,迄今旧体诗词的创作还是被排斥在文学史外的一种边缘写作;一方面也出于创作自身的瓶颈。古典诗词格律复杂,束缚甚多,格局较小,似难承载现代宏大的题材与复杂的心理体验。而更难突破的瓶颈是“形式的诱惑”——古典诗词中传统意象与抒情模式之间有着约定俗成的定势,词与物之间的关系是固定的。当代词的创新需使能指与所指的关系游移起来,从而颠覆古典诗词的定势。但文化集体无意
The creation of old poetry is embarrassed in contemporary times. On the one hand, the power of literature history dictates that up to now, the creation of old-style poetry is still marginal writing excluded from the history of literature; on the other hand, it also is due to the bottleneck of creating itself. Classical poetry is complicated in style, bound a lot, the pattern is small, it seems difficult to carry the great modern themes and complex psychological experience. The bottleneck that is more difficult to break is the “temptation of form” - there is a convention between the traditional image and lyric mode in classical poetry. The relationship between words and things is fixed. The innovation of contemporary Chinese should make the relationship between the means and the meaning of swimming, thus subverting the trend of classical poetry. However, the collective culture is unintentional