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从俄国形式主义“陌生化”理论角度探讨茨威格小说的叙事手法,其作品在第一人称叙事、叙事结构、特殊叙事视角和叙事视角变异等方面表现出特殊性和复杂性。当主体叙述中观察和感知故事的角度及所涉及的视域发生改变时,读者对作品的理解和接受也随之发生变化。茨威格充分利用读者与作者、读者与故事叙述者之间的信息不对称性,设置悬念与情节,使读者在阅读中始终保持新鲜感和好奇心,更深切地体验到作品人物的思想变化与心理感受,从而获得最大化的审美体验。
From the angle of Russian Formalism “Unfamiliarization ”, this paper explores the narrative techniques of Zwewege’s novels, and his works show particularity and complexity in the aspects of first person narration, narrative structure, special narrative perspective and narrative perspective variation. When the angle of observation and perception of the story in the narrative of the subject changes and the horizon involved changes, readers’ understanding and acceptance of the works also change accordingly. Zweig makes full use of the information asymmetry between readers and authors, readers and storytellers, and sets up suspense and plot so that readers always keep fresh and curiosity in reading and deeply experience the change of thoughts of the characters And psychological feelings, so as to maximize the aesthetic experience.