本文旨在探寻《金童》中所提倡的宗教观。在后殖民霍米巴巴第三空间理论支持下的,本文认为这个宗教观就是文化观的一个缩影,就是对文化第三空间的倡导和追寻。这种宗教观是以民间信仰为代表的中国传统文化和以基督教为代表的西方文化相互渗透的结果,因此它既是崭新的,又和二者血脉相连。在剧中基督教与中国传统文化的冲突,也就是东西方文化的冲突。作者倡导的是一种杂合的宗教观,也就是一种杂合的文化观,即第三空间文化观。 The purpose of this article is to explore the religious view advocated by Golden Boy. Supported by the post-colonialist Homi Baba’s theory of the third space, this article considers this view of religion as a microcosm of the concept of culture as advocating and pursuing the third space of culture. This kind of religious view is the result of mutual penetration of traditional Chinese culture represented by folk beliefs and Western culture represented by Christianity. Therefore, it is both new and connected with each other. In the play, the conflict between Christianity and Chinese traditional culture, that is, the conflict between Eastern and Western cultures. The author advocates a hybrid religious view, that is, a hybrid cultural view, that is, the third spatial cultural view.